Like, I would never think of something as, 'Oh, this is my chance to try to get an award.' If I got the chance to work with a renowned filmmaker who makes films of that caliber, that would be incredibly exciting. I mean, anytime people love what you do enough to give you some sort of accolade is amazing, but I hate the idea of calculating it that way. So, I just brought myself to it as much as I could in hopes that that would be the thing that would make Kate unique: that Kate is kind of the action hero version of myself rather than of anybody else. I didn't watch anything to get ready for this part, because I didn't really want to take any sort of direct inspiration in a way that would feel like an impersonation. What were you watching to get ready for the role of Kate? Who are your action hero idols? There's something really, really exciting about that. And when you get into these genre films, you get to do it all. I wanted to be doing more than just being the girlfriend or the plot device love interest. So I think it was one of those things where I would audition for those films and I wouldn't do that well, partly because my heart wasn't in it. And also, I just didn't find them nearly as interesting. In one sense, I just didn't quite fit in the films where I was playing the love interest. To not shrink at all to fit someone else is really liberating for me.Īround the time 10 Cloverfield Lane came out, you told TimeOut : “I’d much rather play the smart ‘final girl’ in a horror movie than somebody’s girlfriend.” How have you navigated an industry where women are often cast as love interests, first and foremost? So, it's been so great to really embrace that while doing action films and to not have to worry about anybody else except me and my performance and what I'm bringing to it physically. But you know, you're too tall next to the lead actor.' So I was often told, like, 'Oh, you did a great job with the audition. I was taller than most of the guys that were leading the projects. I was too tall for a lot of roles, especially because when you're starting out and you're a young woman, you're being sized up in terms of how you fit with whoever the leading male is. Well, it's interesting, because I had similar struggles when I first got into acting. You said there was a certain point when you realized you were too tall for ballet? How has that played into action movie performances? Especially in Kate, your height feels like a real asset to the character. In 2016, her star-turn in 10 Cloverfield Lane coincided with an appearance in the polarizing farting-corpse Sundance film Swiss Army Man. The next year, she played John McClain’s daughter in A Good Day to Die Hard and Miles Teller’s sister in another indie favorite Spectacular Now. In 2012, she played the vampire-hunting Lincoln’s wife the same year she starred in festival-darling Smashed. From there, she had a busy, but gradual rise along the dual-track of indies and genre flicks. Winstead got her start acting on the soap opera Passions - and in a Donny Osmond-led Broadway revival of Joseph and the Amazing Technicolor Dreamcoat. As Jacob Oller wrote at Film School Rejects around the release of 2016’s 10 Cloverfield Lane: “Bringing a compassionate, empathetic personality to a sorority girl about to be slashed or the endearingly fed-up Mary Todd Lincoln in Abraham Lincoln: Vampire Hunter (again, the only good part in that film) allows her to stretch genre roles to their limits.” “It's kind of weird, because I've spent my whole career feeling like no one knows who I am.”īut for years, horror fans have been all in on the actor giving unusual depth to “Scream Queens” and “Final Girls” - in Final Destination 3, Black Christmas, Death Proof, and The Thing. That definitely wasn't happening,” she told me this week from her home in Los Angeles. “But very few people saw it when it first came out, so it wasn't like I was on the street being recognized as Ramona 10 years ago. The World - Ramona Flowers has since become one of Winstead’s most beloved roles. A decade ago, Mary Elizabeth Winstead stole scenes in Edgar Wright’s supernatural battle of bands cult classic Scott Pilgrim vs.
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